Record restoration

Many vinyl records have had a hard time in the three decades since they became unfashionable and technically substitutable. They’ve been hoarded, abandoned, dumped, stored, neglected, and abused. Stacked, dusty, dampened, scratched, bent, finger-marked, and worse. The sight and smell of a stash of boxes of records can bring forth both excitement of anticipation, and […]

A vinyl record is not for life

I saw this insider viewpoint from musician Ian McNabb: Let’s kill this myth. As a practitioner I have been into the minutiae of this well-debated subject a hundred times. I have lived with a song from its inception to its release into the world. The original mix, either on tape or digital, gets mastered before […]

Just for the record

Silly me; I thought my record collection was worth $80k. In 1969 the Welsh Rock band Man released their album entitled 2 Ozs. of Plastic (with a hole in the middle). I’ve never heard that album, or even seen a copy of it in all of my many many hours of crate-digging. That title marks […]

Dishevelled direct disc survival

It stood out among the couple of hundred abandoned LPs today. I recognised that it’s a Sheffield Lab album. Even though it has not had the best of storage conditions! The sleeve is way beyond preservation, and is in the dustbin. It looks so bad that I felt the need to explain to the shop […]

Vinyl vigour

For years, I remained firmly disappointed that my records sounded lacklustre, and CD became my preferred music recording medium for music reproduction. But today I can dip into my LP collection and find great thrills. I replaced my turntable and tonearm and pickup cartridge and phono preamplifier, and added DSP. I finally found a combination […]

Superior Supercut sound?

Comments in certain forums indicate that some people didn’t like the sound quality of these special reissues and rated them inferior not only to Mobile Fidelity etc., but also to the mainstream issues! Given the Nimbus Records reputation for technical innovation and leadership in recorded music on disc, that surprises me. Nimbus Supercut LPs were […]

Made for vinyl

I saw this, and immediately thought EXPENSIVE. This new album on LP will be around $60 in New Zealand. More like $27 on CD. The vision of an expensive record played on a “record player” is incongruent to my thinking. Aside from that, I am interested to know what constitutes “recorded and mixed for vinyl”. […]

Scratched Cat fervour

They’re out there in crate-digging territory. I often find them. Almost always, they’re wrecked beyond rescue. How do Cat Stevens LPs get so badly scratched and the sleeves torn and stained? All-night smoke-shrouded booze-addled hippy parties? Portable record player on the floor. Ash and beer everywhere. And more? I love his songs, and the recordings […]

The unexpected Seduction of the James Last Band

I’m having an out-of-mind experience listening to this 1980 album. Would I listen to James Last? Not often! But add this line-up of players, and it’s something special. Trademark James Last horn and strings melodies, but over jazz-fusion instrumentation. Loving the Stirling Sound mastering and the pristine condition on this US pressing promo copy. I […]

Desire, in the Summer of ’76

Bob Dylan’s colourful cinematic journies to the valley below . . . and beyond, given a reflective look at Elsewhere by Graham Reid. The one Dylan album I’ve played many times. I still have the original UK vinyl pressing. Graham’s perspective is refreshing. It was (most of) my soundtrack to the Summer of 1976, driving […]

[Review] My turn with Vertere Records

In recent months I’ve become increasingly aware of interconnect, tonearm, phonostage, record player, and enhancement accessory additions to the extensive range of products from London-based Vertere Acoustics. I also realised that they have made some very interesting records. To date, three albums have been released. Neither of the two artists I’ve now listened to were […]

So, LPs are now not hi-fi

Here’s a contentious comment from Archimago’s Musings Pacific Audio Fest (PAF 2022) show visit, after hearing some very expensive systems playing records… in 2022, the audible limitations of vinyl are just too much to ignore in good sound systems – LPs are simply not high-fidelity (a statement of fact just as much as opinion I think), even though […]

Acoustic Sounds – a documentary

Acoustic Sounds make and sell records. They do the whole process from microphone to turntable. It’s quite a story. They also sell gear. Headquartered in Salina, Kansas, Acoustic Sounds, Inc. is the world leader in audiophile music. Owned by CEO Chad Kassem, who founded the company in 1986, Acoustic Sounds is a global retailer of […]

“Why I Quit Buying New Vinyl”, but no melt-down

https://www.psaudio.com/copper/article/why-i-quit-buying-new-vinyl/ I sympathise with this angst in buying new records, as I’ve returned far too many LPs as the quality was disappointing and at the retail prices unacceptable. But why call disc wear damage “groove burn”? Abrasion and deformation is caused by stylus tracking of the groove, but no ‘burning’, even at the pressures of […]

A man and his money…..

Roger Skoff has recently observed that pretty much all of modern audio gear, even the cheapest, is at least listenable, and that some – even at prices that seem “entry level” – is amazingly good. So what’s going on when a record and turntable stabiliser (resonance controller) is priced at €6,700? https://www.audiophilia.com/reviews/2021/8/30/sfi5359vyp14py2l8idau918w0789a https://ansuz-acoustics.com/products/record-stabilizer I’ve commented […]

Trust the creators, not the critics

Graham Reid (Elsewhere) compiled two volumes of his recommended essential albums on vinyl records. They’re available from him and from the sponsors JB Hi-Fi (the NZ retailer that barely sells hi-fi these days). He makes a very helpful observation, specifically about jazz critics, but applicable more generally. Critics have thought that popularity means sell out, […]